DIEGO NASER
Naser is considered one of the most remarkable Latin American conductors of his generation
Former Chief conductor of South American renowned National Symphony Orchestra of Uruguay (OSSODRE), Mtro. Naser is considered one of the most remarkable Latin American conductors of his generation.
As a versatile conductor Mtro. Naser conducted ballet and opera productions as “The Rite of Spring”, “Carnival Der Tiere”, “Peter and the Wolf”, “El Quijote del Plata”, “Carmina Burana”, “La Sylphide”, the premiere in Spain after 220 years of F. Sor’s lost Opera “Telémaco nell’ Isola di Calipso” and “Madama Butterfly”, besides symphonic concerts in Mexico, Luxemburg, Brazil, Chile, Uruguay, Panama, Austria, Portugal, Peru, Argentina, Colombia, Venezuela, Spain among others. Mtro. Naser has collaborated with artists as Pinchas Zukerman, Amanda Forsyth, Gustavo Núñez, Homero Francesch, Francesca Dego, Carlo Ventre, Michael Barenboim among many others.
Schedule
Amazing orchestras, beautiful venues along Europe, North America and Latin America to come
Naser closed up historic seasons with the National Symphony of Uruguay
During his tenure as a chief conductor of the Uruguay National Symphony Orchestra “OSSODRE” , Mtro. Naser raised performances and audiences, created educational programs for over 30.000 students, and brought back the orchestra to the international classical scene, with world class artists and artistic compromise.
“Naser got the orchestra to blend into the true poetic climate to the extreme limit, highlighting its pauses and showing an infinite range of nuances”
“Naser proved to have a clear focus on score and control over dynamics and phrasing, maintaining the level during the long hour that lasts the most performed of the Brucknerian symphonies.”
“He showed his talent as a conductor, respecting the minimum details required by the score, focused on an interpretation that will remain in memory”
“Naser’s version fully matched the composer’s genuine spirit, obtaining masterful morbidity on the string, most notable inflections and contrasts in all the instrumental families. The focus, with a neuralgic character.(…)without a doubt, a version with a strong personality and faithful to the music itself.”