Repertoire & Programs
Symphonic breadth, stylistic range and curatorial identity
Diego Naser’s repertoire combines the central symphonic tradition with contemporary creation, Latin American music and projects shaped by a clear curatorial profile. His work embraces the concert hall, staged and semi-staged formats, educational contexts and institutionally framed programs conceived for both artistic depth and audience connection.
His programming approach seeks balance between canon and discovery, structural coherence within each evening, and a strong sense of musical direction across seasons, festivals and guest engagements.
Core symphonic repertoire
- Beethoven · Complete symphonies
- Brahms · Symphonies Nos. 1–4
- Dvořák · Symphonies Nos. 7, 8 and 9
- Mahler · Symphonies Nos. 1, 2, 3, 4 and 5
- Bruckner · Symphonies Nos. 4 and 7
- Schubert · Symphonies Nos. 4, 5, 6, 7 and 8
- Schumann · Symphony No. 1
- Mozart · Symphonies Nos. 16a, 25, 40 and 41
20th-century and contemporary music
- Berg · Three Orchestral Pieces
- Schönberg · Verklärte Nacht
- Ravel · Le tombeau de Couperin
- Ravel · Boléro
- Ravel · Rapsodie espagnole
- Ravel · La Valse
- Programs including contemporary Latin American repertoire and living composers
Latin American profile and signature programming
- Gabriela Ortiz · Kauyumari, Antropolis, Hominum
- Arturo Márquez · Danzón No. 2, Danzón No. 3, Congas del Fuego Nuevo
- Carlos Chávez · Sinfonía India
- Silvestre Revueltas · Sensemayá, Noche de los Mayas
- Inocente Carreño · Margariteña
- Piazzolla and tango-influenced programs as bridges to symphonic listening
Programming approach
Naser develops programs that combine musical architecture, dramatic pacing and institutional relevance. His curatorial work often connects major repertoire, contemporary creation, regional identity and educational purpose without sacrificing artistic coherence.
This approach allows each program to function not only as a concert, but also as a statement of artistic direction.
