Repertoire & Programs
Symphonic breadth, stylistic range and curatorial identity
Diego Naser’s repertoire combines the central symphonic tradition with contemporary creation, Latin American music and projects shaped by a clear curatorial profile. His work embraces the concert hall, staged and semi-staged formats, educational contexts and institutionally framed programs conceived for both artistic depth and audience connection.
His programming approach seeks balance between canon and discovery, structural coherence within each evening, and a strong sense of musical direction across seasons, festivals and guest engagements.
Core symphonic repertoire
- Beethoven · Complete symphonies
- Brahms · Complete symphonies
- Dvořák · Symphonies Nos. 7, 8 and 9
- Mahler · Symphonies Nos. 1, 2, 3, 4 and 5
- Bruckner · Symphonies Nos. 4 and 7
- Schubert · Complete symphonies
- Schumann · Complete symphonies
- Mozart · Complete symphonies
20th-century and contemporary music
- Berg · Three Orchestral Pieces
- Schönberg · Verklärte Nacht
- Schnittke · Viola Concerto
- Ravel · Le tombeau de Couperin
- Ravel · Boléro
- Ravel · Rapsodie espagnole
- Ravel · La Valse
- Programs including contemporary Latin American repertoire and living composers
Latin American profile and signature programming
- Gabriela Ortiz · Kauyumari, Antrópolis, Hominum
- Arturo Márquez · Danzón No. 2, Danzón No. 3, Congas del Fuego Nuevo
- Carlos Chávez · Sinfonía India
- Silvestre Revueltas · Sensemayá, Noche de los Mayas
- Inocente Carreño · Margariteña
- Piazzolla and tango-influenced programs as bridges to symphonic listening
Opera, ballet and vocal repertoire
- Puccini · Madama Butterfly
- Bizet · Carmen
- Orff · Carmina Burana
- Tchaikovsky · The Nutcracker
- La Sylphide
- Stravinsky · The Rite of Spring
